Based in London, I am a researcher and artist whose practice moves between visual technologies, embodied archives, and alternative strategies of representation. My research explores the shifting histories of photographic and time-based media, with a focus on how bodies—particularly those marked by difference—are rendered visible, invisible, or somewhere in between.
My artistic and academic practices inform each other closely. I work with live art and performance, often in collaboration with performers from diverse communities whose work addresses experiences of disability, queerness, racialisation, and social marginalisation. Through interdisciplinary and practice-led methods, I explore how visual technologies interact with different forms of embodiment, engaging questions of stillness, movement, visibility, and disappearance across both still and time-based media.
Currently, I am developing new research and creative work through a project supported by Arts Council England’s Developing Your Creative Practice (DYCP) fund. This project explores alternative approaches to documenting live and embodied performance, with a focus on (in)visibility, slowness, and care, including experiments with hybrid formats such as cinemagraphs.
